Mika Ninagawa Exhibition with EiM: Light on the Other Shore, Shadow on This Shore
- The Kyoto exhibition in Japan attracted 250,000 visitors, and "Ninagawa Aesthetics" swept across Asia.
- Mika Ninagawa and EiM collaborate on the largest overseas exhibition in 10 years.
- The interplay of reality and virtuality unfolds an immersive light and shadow art experience.
- A 720-degree panoramic view intertwines with a magnificent garden, inviting you into a dreamlike wonderland.
- Bonus offer: Order now and receive a free Bolt ride discount of 30% off two trips, with a maximum discount of NT$225 per trip.
Attraction Tickets
| Ticket type | E-ticket (direct entry) |
| Exhibit type | Immersive exhibits |
| Tour types | None |
| Transport convenience | Near city center |
Product Info
The content of this product is provided by machine translation and may not reflect the actual information, please take this into consideration before booking.
- Exhibition Information -
- Exhibition Venue: Buildings 2C and 2D, East Wing, Huashan 1914 Creative Park
- Exhibition Dates: January 17, 2026 (Sat) - April 19, 2026 (Sun), Closed on Lunar New Year's Eve, February 16, 2026
- Exhibition hours: 10:00 - 18:00 (last ticket sale and admission at 17:30)
- Exhibition Address: No. 1, Section 1, Bade Rd., Zhongzheng Dist., Taipei City
- Organizer: United Digital Culture & Creative
- Planning and Production: Mika Ninagawa Exhibition Executive Committee
- Main sponsor: Taishin Shin Kong Financial Holding
- Special Sponsor: CMC China Motor & Mitsubishi Motors
- Special endorsement: BUFFALO Inc.
- Collaborators: ED1ART, Lucky Star K, TOMIO KOYAMA GALLERY
- Exhibition Introduction -
Mika Ninagawa returns to Taipei after a 10-year hiatus with a major solo exhibition, "Mika Ninagawa Exhibition with EiM: Light Beyond, Shadow of This Shore." This is the largest immersive art experience overseas, co-curated by Ninagawa and the technology art team EiM. Breaking away from her previous focus on still photography, the exhibition uses 3D installations and video works to guide viewers on a sensory journey where virtual and reality intertwine. The exhibition comprises eight sections, including a vibrant garden in full bloom and a fantastical space where 2,000 crystal beads move with the light and shadow. Combined with 720-degree panoramic video, it constructs an infinitely extending visual illusion, delivering an unprecedented immersive experience.
About Mika Ninagawa: Photographer, film director, and contemporary artist. With photography at her core, her work spans film, video, and spatial installation art. She currently continues her activities as a member of the creative team EiM. She has received numerous awards, including the Kimura Ihei Photography Award, and has published over 120 photography books and held over 150 solo exhibitions, remaining active on the international art scene. Major exhibitions include *Mika Ninagawa with EiM: Light Beyond, Shadow of This Shore* (Kyoto Kyocera Museum, January-March 2025), *Mika Ninagawa Exhibition* (Museum of Contemporary Art, Taipei, 2016), and *Mika Ninagawa: Between Fiction and Reality* (Beijing Times Museum, 2022).
"Breathing of Lives" explores the theme of "life's breath" in the city, projecting images onto countless water tanks. The shimmering water blurs the line between reality and fantasy, transforming the daily lives and memories of city dwellers into a dreamlike scene. Viewers stroll amidst the interplay of light and shadow, experiencing a resonance between themselves and the city. (Photo taken at the Kyocera Museum of Art in Kyoto, Japan; actual exhibition may vary.)
"Blooming Emotions" is a video work that guides viewers to explore the depths of their hearts through the act of "viewing flowers." Light and shadow are projected and overlapped from both sides of the screen, creating the illusion of being immersed in a sea of blooming flowers. Flowers, which have existed alongside humankind since ancient times, are beautiful yet fleeting, reflecting the memories and emotions of the viewers and awakening hidden feelings within. (Photo taken at the Kyocera Museum of Art in Kyoto, Japan; actual exhibition may vary.)
The space "Liberation and Obsession" is composed of traces of artist Mika Ninagawa's inner emotions—persistence, passion, and struggle. Paint, frames, and video clips intertwine to present a state of mind oscillating between the desire for liberation and constraint. Through this world, viewers will confront the shadows of liberation and obsession within their own hearts. (Photos are from the Kyocera Museum of Art in Kyoto, Japan; the actual exhibition may vary.)
The highlight of the exhibition, *Dreams of the Beyond in the Abyss*, comprises a panoramic LED space resembling an endless abyss and a vibrant, colorful garden. Viewers feel as if their senses have been detached from their physical bodies, experiencing a near-death journey into the depths of their souls. At the boundary between life and death, viewers confront their inner essence, entering a space imbued with a meditative atmosphere, contemplating what they will see beyond the boundary. (Photos are from the Kyocera Museum of Art in Kyoto, Japan; actual exhibition space may vary.)
"Whispers of Light, Dreams of Color" is an installation art piece composed of 2,000 crystal beads interwoven together, creating a tapestry of light and color. Patterns such as butterflies, flowers, hearts, and eyes not only evoke cherished memories, like tiny gemstones, but also symbolize the shift in perspective from "the viewed" to "the observer." The work also pays tribute to women who can only express themselves through handicrafts; the shimmering light seems to recreate their quiet passion and prayer. (Photo taken at the Kyocera Museum of Art in Kyoto, Japan; actual exhibition scene may vary.)
Bolt App User Guide
Purchase Notice
- Children under the age of 12 are not allowed to enter alone and must be accompanied by an adult with a ticket.
- The organizer does not provide a baggage check-in service. Strollers and large luggage must be placed outside the exhibition area as instructed by staff. The organizer is not responsible for personal property loss, so please keep your personal belongings and valuables safe.
- There are no restrooms or trash cans inside the exhibition hall. Please use the restrooms outside the hall before entering.
- Please follow the visitor flow, exhibition rules, and instructions from on-site staff. If there are large crowds, please queue in order. To protect the rights of others, please do not occupy the exhibition space for an extended period of time.
- Photography and videography are permitted at this exhibition, but live streaming, the use of professional photography equipment, flashes, tripods, selfie sticks, and stabilizers are strictly prohibited throughout the exhibition area. Commercial photography, videography, or interviews are not permitted without prior permission. Please abide by the regulations of each exhibition area and respect the intellectual property rights and copyrights of the works on display.
- Playing, running, eating, and drinking are prohibited inside the exhibition area. Please do not bring food or beverages into the venue. Smoking, chewing gum, and betel nuts are prohibited. Selling or reselling tickets on-site is prohibited. If any inappropriate behavior is observed and warnings are ignored, the person must leave immediately without objection. No compensation or refund will be provided for the ticket price.
- Pets (except guide dogs), long-handled umbrellas (short-handled umbrellas should be stored in your bag), and all kinds of dangerous and prohibited items are not allowed in the exhibition area. It is forbidden to hit or touch the exhibits and display cases. If any damage is caused, you will need to pay for it at the price.
- There are staff members stationed at each booth to maintain order. If you find any suspicious persons or unidentified objects, find lost items, or feel unwell, please notify the staff nearby immediately for assistance.
- If you wish to re-enter after leaving the exhibition, you can get a repeat entry stamp at the exit and queue again at the entrance. However, entry and exit are only permitted during the exhibition's opening hours on the day of the event. No separate ticket is required to purchase merchandise in the souvenir area; please proceed to the souvenir area from the exit.
- To maintain the quality and safety of the exhibition, crowd control will be implemented when the number of visitors reaches the maximum limit. Ticket sales will be suspended. Please cooperate with the staff and wait in line at the entrance (final entry time is 17:30).
- Please refer to the on-site announcements or official fan page for any changes to the exhibition's opening hours and regulations. The organizer reserves the right to interpret any matters not covered above.
- Additional discounts during the event -
- This offer is only available to new users who register in Taiwan for the first time. Accounts that have previously used Bolt outside of Taiwan are not eligible.
- Offers are provided by Bolt's partner fleets. All trips must be made through the Bolt App and vehicles will be dispatched by Bolt's partner fleets.
- This discount code must be redeemed before 23:59 on 2026/03/31. The discount is valid for 14 days from the date of redemption. Both the pick-up and drop-off times must fall within the validity period. It will automatically expire after the expiration date.
- Open the Bolt App, tap the menu in the top left corner [☰], go to the "Promotions" page, tap "Enter Promo Code", enter the promo code in the promo code field, and you can redeem it.
- Both pick-up and drop-off locations must be within Bolt's Taiwan operating area (including Taipei, New Taipei, Keelung, and Taoyuan). Other areas are not applicable.
- The maximum discount is NT$225 per trip, valid for a total of 2 trips. Any amount exceeding this limit must be borne by the passenger. Unused discounts cannot be accumulated or carried over.
- If you have any questions about the trip, please report the problem through the "Help Center" in the Bolt App.
- Bolt and its partner teams reserve the right to amend these Terms and Conditions or terminate the offer at any time without prior notice. Bolt and its partners reserve the final decision-making power regarding any dispute concerning the offer.
- Only one discount code can be used per trip. If a user's account has more than one discount code, the system will prioritize the discount code that complies with the terms and conditions, applies to the user's trip, and has the highest discount value.
Reminders
This ticket is valid for the entire exhibition period (until April 19, 2026). Tickets not purchased by this date will be considered invalid. Refunds and exchanges must be processed through the original ticketing channel before the exhibition closes on April 19, 2026. Late requests will not be accepted. Please refer to the refund policies of each ticketing channel for details.
Please redeem your tickets during the exhibition period after purchase. Tickets not redeemed by the deadline will become invalid and non-refundable. Holders of KKday vouchers do not need to exchange for tickets and can directly proceed to the exhibition entrance for verification and entry. Redeemed tickets are non-refundable.
A single ticket is valid for one person only and cannot be reused; a double ticket requires both people to enter at the same time and cannot be used separately.
This ticket is a valuable ticket. Please keep it safe. If it is lost, damaged, punched, altered, soiled, photocopied, or torn, or otherwise unidentifiable, it will be considered invalid and will not be refunded, exchanged, or reissued.
Only tickets sold at the exhibition booths will be refunded on-site. Please provide a complete, unused ticket, invoice, or credit card receipt for processing.
Children under 3 years old can enter for free, but must be accompanied by an adult with a ticket (they must show relevant identification; if no identification is brought, they will be judged based on whether they are 90 cm tall or not; age is calculated based on their actual age on the day of entry).
Those eligible for free admission should present their identification for verification by staff before entry. If they do not meet the eligibility criteria, they should purchase a ticket accordingly. Those eligible for preferential treatment (discounted tickets, priority tickets) cannot request a partial refund or additional payment for the ticket price difference after entering the venue.
To ensure clear identification by service personnel, necessary companions for persons with disabilities should enter the venue closely following the persons with disabilities.
For any matters not covered above, please refer to the official website and Facebook announcements. The organizer reserves the right to interpret the event.
How to Redeem Your Voucher
How to Use Your Voucher
- Please present your QR code on-site
Experience Location
Location Name: Huashan 1914 Cultural and Creative Park, East Building 2C & D
Address: No. 1, Section 1, Bade Road, Zhongzheng District, Taipei CityMonday 10:00–18:00 (Last Entry Time: 17:30)
Tuesday 10:00–18:00 (Last Entry Time: 17:30)
Wednesday 10:00–18:00 (Last Entry Time: 17:30)
Thursday 10:00–18:00 (Last Entry Time: 17:30)
Friday 10:00–18:00 (Last Entry Time: 17:30)
Saturday 10:00–18:00 (Last Entry Time: 17:30)
Sunday 10:00–18:00 (Last Entry Time: 17:30)
- February 16, 2026 (Lunar New Year's Eve) - Public Holiday
FAQ
Mika Ninagawa began her career as a photographer, quickly gaining recognition for her unique artistic vision. She rose to prominence in the late 1990s and early 2000s, expanding her work beyond photography to include film direction, fashion design, and large-scale art installations. Her multidisciplinary approach has established her as a leading figure in contemporary Japanese art.
Mika Ninagawa has received numerous accolades, including the prestigious Kimura Ihei Award for Photography. Her work has been exhibited globally in major cities, solidifying her reputation as an internationally acclaimed artist. Beyond photography, she has directed successful feature films and music videos, further demonstrating her diverse talents and significant cultural impact, such as her Kyoto exhibition which attracted 250,000 visitors.
The Mika Ninagawa Exhibition with EiM offers a brand-new immersive art experience. Visitors can expect a sensory journey that blurs the lines between reality and illusion, featuring three-dimensional installations and video works. The exhibition includes eight distinct areas, such as a magnificent garden and a fantastical space, all designed to deliver a stunning visual spectacle with an infinitely extended 720-degree panoramic video illusion.
The Mika Ninagawa Exhibition with EiM, titled 'Light on the Other Shore, Shadow on This Shore,' delves into the interplay of reality and virtuality. It explores themes of beauty, ephemeral existence, and the illusion of perception. The exhibition aims to transport viewers into a dreamlike wonderland where light and shadow converge, creating a profound and thought-provoking artistic dialogue.
The exhibition is defined by its interplay of reality and virtuality, unfolding an immersive light and shadow art experience. Key features include a 720-degree panoramic view that intertwines with a magnificent garden, creating a dreamlike wonderland. These elements combine with three-dimensional installations to produce a stunning, infinitely extended visual illusion that captivates visitors.
The Mika Ninagawa Exhibition masterfully combines three-dimensional installations with sophisticated video works to craft a seamless sensory journey. This integration allows for the blurring of lines between physical reality and virtual illusion, creating a dynamic and immersive environment. The moving images and static structures work in harmony to extend visual spaces and envelop visitors in a fantastical artistic narrative.
Mika Ninagawa's previous Kyoto exhibition in Japan was a phenomenal success, attracting an impressive 250,000 visitors. Its immense popularity demonstrated the widespread appeal of 'Ninagawa Aesthetics' and further solidified her influence across Asia. This significant turnout underscored her ability to captivate large audiences with her distinctive visual storytelling and immersive art experiences.
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