Daito Manabe Solo Exhibition 'Temporal Relations'
This exhibition features large-scale immersive installations that combine architectural space, bodily perception, real-time computing, and audiovisual systems to construct a continuously evolving sensory environment. The works transform the audience's movement, duration of stay, and interaction status into vital variables for generating sound and imagery, shifting the audience from mere observers to active participants who influence the development of the work.
Through computational generation and data response mechanisms, the works transcend traditional visual display frameworks, transforming generated imagery and sound into spatial and temporal sensory experiences, making the architectural space an integral part of the work's unfolding and transformation. Body, machine, environment, and music respond to one another within a single system, forming a field that continuously generates itself according to time, space, and interactive relationships.
This exhibition continues Daito Manabe's long-term research into life, intelligence, and computational systems, exploring how humans, artificial life, and AI agents form new relationships through interaction, adaptation, and memory. In an era where machines can rapidly simulate multiple possibilities, the exhibition starts from the differences in temporal scales to contemplate how relationships generate their own temporal forms, proposing a generative method that goes beyond simple simulation: how life and systems gradually take shape amidst continuous response and change.
Supervising Agency: Taichung City Government, Cultural Affairs Bureau of Taichung City Government
Organizer: Taichung Museum of Art
Exhibition Dates: 2026/10/03 - 2027/1/03
Exhibition Venue: Exhibition Room A, B, C
About the Artist
Daito Manabe | Artist, Programmer, Composer
Daito Manabe is an artist, programmer, and composer whose work explores how life, intelligence, and social systems are generated and evolved through music, computation, and audiovisual media.
Since founding Rhizomatiks in 2006, he has developed interdisciplinary works that combine programming, music, visual arts, and performance. His early research focused on the feedback relationship between the body and machines, converting movements, muscle activity, and physiological signals into sound and imagery. Later, he extended his practice to neural networks, brain organoids, and spiking neural networks, treating biological activity itself as a generative medium.
In recent years, his research has focused on social systems composed of humans, artificial life, and AI agents, exploring how processes such as adaptation, cooperation, and emergence within these systems become new methods for generating music and dynamic imagery.
In addition to his research and creative work, he continues to develop large-scale performances, exhibitions, and public art projects. He was involved in the technical development and visual and lighting system design for the Tokyo 2020 Handover Ceremony at the 2016 Rio Olympics closing ceremony, and has collaborated with artists such as Perfume, Ryuichi Sakamoto, Björk, Nosaj Thing, and Squarepusher, continuously exploring new forms of creation at the intersection of technology, art, and performance.
About the Curator
Joel Kwong is an international media art curator, producer, and writer. She currently serves as the Program Director of the Microwave International New Media Arts Festival and founded the art-tech consultancy and production company SIBYLS. With nearly twenty years of experience in media art and technology, her curatorial practice spans media art, tech-performance, digital culture, and interdisciplinary collaboration. She is also actively involved in international art-tech platforms as a curator, speaker, and juror, and is dedicated to related research and professional exchange.