| Tour Type | Private tour |
| Transportation method | Transfer from meeting point, Hotel transfer |
| Tour types | Guided tour |
| Additional service & facility | Transfer included |
| Sightseeing type | Museum tour, Historic site tour |
| Transport | Charter car |
Please refer to your voucher for final information regarding meeting points, pick-up locations, and pick-up time
Meeting point description: Please confirm the pick-up place and time directly with the local operator whose contact information can be found in the voucher after booking.(Xi'an Xianyang International Airport (XIY), Weicheng District, Xianyang, Xianyang, Shaanxi, China)
Please bring your valid passport on the day of travel
After the tour, you will transfer back to Xi'an airport to catch your departure flight, and your Xi'an essential tour concludes.
The duration of the transfer is approximate and will depend on the traffic condition
Basically you are required to be back to the airport 2-3 hours prior to your departing flight
Please make sure you have enough layover time to take the tour, basically around 8-10 hours
Please confirm the pick-up place and time directly with our local partner at least 24 hours before departure. You can find their contact information in the voucher after booking
Transportation is also applicable for train station or hotel, please indicate if you need
While over 8,000 terracotta soldiers, 130 chariots, and 600 horses have been unearthed across three main pits, it's estimated that a significant portion of the mausoleum complex, including the tomb of Emperor Qin Shi Huang himself, remains unexcavated. Archaeological work continues, but much of the site is deliberately left untouched to preserve its integrity for future generations and advanced excavation techniques.
To fully appreciate the Terracotta Warriors Museum, including all three pits, the exhibition hall, and the bronze chariots, it is generally recommended to allocate at least 3 to 4 hours. This allows ample time to navigate the extensive complex, absorb the historical details, and witness the scale and intricacy of the archaeological finds without rushing.
From Xian, the Terracotta Warriors Museum can be reached by several methods. Public buses, specifically Tourist Bus Line 5 (306) from Xian Railway Station, offer a direct and economical option. Alternatively, booking a private transfer or joining a guided tour provides convenience and comfort, often including direct pick-up and drop-off, which is especially beneficial for layover tours.
There is no evidence of real human remains found within the Terracotta Army itself. The army consists entirely of terracotta figures. However, historical accounts and archaeological findings suggest that human sacrifices were part of ancient Chinese burial rituals for emperors. Evidence of human remains has been found in other parts of Emperor Qin Shi Huang's vast mausoleum complex, separate from the warrior pits.
The Terracotta Warriors Museum is located about 40 kilometers east of Xi'an (formerly Xianyang), in Shaanxi province, China. Its historical context is immensely important as it represents the funerary art of Emperor Qin Shi Huang, the first emperor of a unified China (259-210 BC). The army symbolizes his power, his desire for immortality, and provides invaluable insights into ancient Chinese military, culture, and craftsmanship.
Key highlights include Pit 1, the largest and most impressive, showcasing thousands of warriors in battle formation. Pit 2 offers a glimpse of cavalry and archers, providing insights into different troop types. Pit 3, the smallest, is believed to be the command post. Additionally, the Museum of Qin Terracotta Warriors and Horses houses individual figures and artifacts, and don't miss the exquisite bronze chariots display.
The Terracotta Warriors were primarily constructed from local yellow loess clay. Each warrior was individually sculpted, with bodies and limbs mass-produced from molds, while heads, hands, and facial features were added and customized to create unique expressions. After assembly, the figures were fired in kilns at high temperatures and originally painted with vibrant mineral pigments, though most of the color has faded over millennia.